“I’m afraid, dear one, that this story is not about an especially wise and brave fairy, because those are the very best and nicest kind to listen to on a stormy night…”
Of Mice and Fairies is now available FREE on Amazon. Enjoy!
“I’m afraid, dear one, that this story is not about an especially wise and brave fairy, because those are the very best and nicest kind to listen to on a stormy night…”
Of Mice and Fairies is now available FREE on Amazon. Enjoy!
They say the best shops are the easiest to find.
I don’t agree with that. I’ve known many good shops in my time, shops that were hidden away, that took me all day to find. Sometimes the hunt is half the fun. But these days, people prefer main streets and wide roads, and convenience is more important than quality.
To some people. Not to everyone.
My workshop is an example. It’s not so easy to find me. I work where I’ve always worked: a little corner shop in a back alley, with a sign on the door that says, quite simply, Heartsmith. Inquire within.
Really, unless you know just where to look, I’m very difficult to find. I like it better that way. Heartsmithing is a complicated kind of work, and it’s harder to have done than most people think. If someone is determined enough to find me, they’re usually patient enough to last through the process.
Most of the time, anyway.
The shop is empty when I come down in the morning, and the workbench is cluttered with the tools I was using last night. I don’t close my shop after six o’clock. I’m always open, even in the middle of the night. Actually, I get a good portion of my work after midnight. People get a little desperate when the world is at its quietest. Sometimes they’re braver then too, brave enough to bring their troubles to me.
I let them in, of course. I live upstairs, over my shop, and I always hear the bell. Sometimes I’m up late anyway, working on a tough project. Either way, it doesn’t matter. I never turn anyone away.
No one is here now. I sweep the floor, tossing wood shavings and coal dust into the stove, then open the shutters and let the morning in. The village is waking up now, and I can hear the sounds of shops opening, roosters crowing in back gardens, and the milkman making his rounds. It’s a lazy, peaceful kind of morning, and I leave the door open and set out a plate of scraps for the cats that like to wander through.
I’m upstairs when the bell rings. A woman is waiting in the workshop, crouched down and petting one of the cats. She stands up when I come in, trying to smile at me, and I know what the trouble is before she says a word. But I don’t tell her so. People need to talk about these things themselves.
So I sit her down on one of my stools and ask her what the trouble is. She’s nervous and fidgety, and I can tell she’d like to leave, but she doesn’t. She takes a small, battered heart from her bag and puts it on my workbench.
Can you fix it?
It’s the question they always ask. Every time, as if they really expect me to say no. They’ve tried to fix it themselves, that’s the trouble, and when they can’t—well. Too many people give up hope.
I look the heart over while she talks. Most of the hearts come to me with a single crack, a sharp blow that nearly broke them in half. A few have a half a dozen cracks, blows that have happened over a series of months or years. Those are harder to fix, but not impossible.
This one is different. It isn’t cracked, not the way hearts that have been broken usually are. It’s been worn down, dented several times in several places. The exterior is brittle, as if she’d tried to harden it herself to keep it from cracking under the strain, and it’s light in my hands. As if it were nearly hollow.
I listen while she tells me about herself, about everything the heart’s been through. About the husband who doesn’t meet her eyes, and the son who hasn’t called. About the empty life and the dreams she set aside and the hope she’s forgotten how to feel. She can’t remember a single blow or a moment that started the damage, but I can see that already. For a heart to dent and wear like this, it needs a subtle kind of pain, one that rubs and chafes but doesn’t crack. That kind of damage is harder to repair.
Unfortunately, it’s also easier to miss. I see it often enough when I go out walking or meet someone new on the beach, but it isn’t one I see in my shop very much. People ignore it. It’s not cracked, they say, not broken. So why fix it?
They don’t realize just how much damage has been done.
She’s waiting for me to tell her that it can’t be fixed. I can see that. Instead, I set the heart down on the table and ask her if she’s brought a case with her. Any clothes? She tells me she has a few things. I nod and tell her about a house that I own a few streets away. Next to the sea. It’s got a garden, and flowers growing in the windowsills, and a kitchen. The job will take a while, I tell her, and she’ll have to stay nearby. Is she willing?
Her yes is all the answer I need, and I set to work immediately.
She’ll like my house. I bought it for people like her, who need a bit of time to let me work. Heartsmithing is a complicated kind of business, and hearts aren’t fixed in a day.
The house had a basketball hoop in the driveway.
I remember that most of all. That day, the day we had a house, is too fragmented to remember perfectly. But I remember a few things. The real estate agent’s dusty car. The cracked pavement. The weeds. The peeling paint on the front door. And the basketball hoop.
I’ll get you a ball, you promised us, and I knew you would. You’d promised us a house too, and we had that now, although grandpa said we’d never keep it. You’ll be back begging at our doorstep in a week, he told you before we left, and I didn’t tell him goodbye.
I don’t think you did either.
The real estate agent had you sign some papers before he left. I remember how your hands were shaking. I was too small to read what they said, but whatever it was, it made you cry when he left. We all cried together, on the floor in that empty house. I think it was a happy kind of crying.
You made me a nest that night. I had a whole room to myself in that big, empty house, and I felt like a princess in my palace. You tucked my blanket and my sheet together on the floor and told me stories about the mice who made nests just like mine. I’ll get you a bed soon, you told me, and I knew you would. You tucked me in tight, and I used my teddy as a pillow.
We had a picnics in the kitchen. I remember that too. You spread out a sheet on the floor, and we had breakfast and lunch and dinner there. We used to pretend that we were eating breakfast at the beach, and lunch in the mountains. Cade used to complain that there were ants in his food, so we’d think the picnic was real. You always laughed when he said it.
The first thing you bought us was a basketball. I remember when you brought it home. We didn’t have a table, or beds in our rooms, or pictures for the walls, or even a couch to sit on, but we had a basketball. I remember you sitting on the front steps after dinner, watching Cade teach me how to play. I couldn’t reach the hoop, even when he lowered it all the way down, and he’d lift me up so I could score. You clapped for us. I don’t remember who won, but we played until the fireflies came out and the moon was peeping in to watch through that old oak in the front yard.
Don’t worry, you told me when we inside that night. You’ll grow into it.
I knew I would.
We didn’t go back to grandpa’s that week. Or the next one. You said we never would, and I knew you were right. We had a house now, and a picnic blanket, and a basketball.
We didn’t need anything else.
When school started, you made Cade and I go. You’d walk us to the bus stop every morning, and when we left, you’d walk to work. You said you didn’t need a car, that walking made you happy. I knew it did.
You were never home when school was over, but we played basketball every night until you came. You were right. I did grow into that hoop, and so did Cade. He grew into it so much that he could raise it right to the top and still score, and I had to learn to jump high enough to block him. I still don’t remember who won those games, just that we played them.
We all used to do our homework together. Cade and I used to laugh about Mama having homework too, and you’d just laugh with us and keep right on working. I think you got better grades than we did. I know you stayed up later than we did. I remember you shooing us to bed, but the light never switched off before I went to sleep in my nest.
You graduated the same day Cade did. You bought us a table, and Cade came home wearing a uniform that made him look ten feet tall. You cried, but it was a happy kind of cry, and you sat on the steps to watch us play basketball before he left.
I played basketball by myself after that, and rode the school bus alone. You brought work home with you, and we sat at our table while I did my homework and you graded papers. I didn’t tell you I was proud of you, but I thought it every night. I was proud of you for your new job, and for the homework you did after I fell asleep, and for the house you didn’t lose. I was proud you didn’t have to go begging to grandpa anymore, and that you had a car, even if you still liked walking.
You never told me how scared you were, but I remember that too. You never told me you were brave, but I knew you were.
When I was growing up, my mother took us on Awesome Great Adventures to the library. She brought home laundry baskets full of books from library sales and thrift stores and cruised through garage sales for secondhand books to fill our bookshelves. I was never short of fresh reading material, and since I started reading at four and never stopped, that was quite an accomplishment on her part.
Of all the many, many books that she brought home, I had my favorites. Bill Peet, with his clever rhymes and wacky, colorful pictures, Dr. Seuss, with his dizzying tongue-twisters, and about a hundred others. In the mornings before breakfast, we would crawl into bed with her, and she would read to us from The Biggest Bear, Blueberries for Sal, and We Were Tired of Living in a House. The books she read us then are still vastly important to me, and a few of them have found their way onto my bookshelves in anticipation of the days when I have a few small children climbing into my bed with their books before breakfast.
Several such books are the many sweet adventures of Beatrix Potter.
(Yes, that is indeed me in the picture. And yes, I was reading the book upside down. In my experience it is very important to study life upside down occasionally, in order to gain some much-needed perspective.)
Anyway.
Back to Miss Potter and her lovely, wonderful books.
Peter Rabbit was the first friend I made among her pages. His adventures between the rows of radishes and lettuces in Mr. McGregor’s garden enthralled me, and Miss Potter’s beautiful watercolored pictures drew me straight into the story, just as if I’d been there myself.
A whole string of friends followed after the first. The Tailor of Gloucester, who swore to finish a magnificent coat by Christmas morning and only just managed it with the help of some obliging mice. Jemima Puddle-duck, who really was a particularly foolish duck—and a very lucky one. And of course, last (in my list) but not least, Tom Thumb and Hunca Munca, two of the naughtiest mice that ever stumbled between the pages of a book.
Beatrix Potter’s books remain a treasured part of my childhood, and the stories are carefully tucked away on my shelf with all of my other favorites. Waiting for a rainy day when I need to remember myself, or a lazy morning when I have children of my own to read aloud to before breakfast. Either way, I will be enjoying them for many, many years to come.
So that is the story of the two Bad Mice—but they were not so very very naughty after all, because Tom Thumb paid for everything he broke.