Go To Sleep

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I come when the library closes.

The lights are out, except for the lamp Mrs. Wilfe leaves on just for me. The doors are locked, and the windows have been shuttered. Even most of the reading desks are cleared. No one is left.

Only me. Because I have to put the stories to sleep.

I start in the children’s section. I like it back there best, because I can still hear the murmur of little voices reading aloud, and the rustle of turning pages. It’s not so silent, not so lonely.

I switch on a desk lamp as I step inside, and pick up a book lying on the floor. The Biggest Bear. An old, old favorite. The pages are stained with fingerprints, and the cover is a little torn, but it’s happy. Its story has been told today, many times, actually. It’s a little out of breath, a little tired, and I set it back on the shelf where it belongs.

The books in this section are the rowdiest, but they go to sleep fairly easily. Their stories were told, and they’re worn out from being dragged from shelf to table, table to floor, and back again. I stroke their spines, set them back in order on the shelves, and they fall asleep when I turn the lights out and leave them. They don’t have trouble sleeping, not like some do. I’m never sorry to see them awake when I come.

The adult books are harder. I can hear them murmuring when I flick on the light, their voices rustling like burning paper. They sound angry tonight, and I wonder who has been woken this time. It’s hard to tell. The stories are being whispered from shelf to shelf, passed on, overlapping each other, desperate to be heard. Old forgotten voices, caught in the dust between the pages. I can’t tell one from the other, not when they’re all talking at once. Grief and love, war and hate, treachery, betrayal, reunions, mystery, and horror. They all have a story to tell, but for some of them, it’s been a long time since anyone bothered to listen.

I walk through the shelves, running my fingers along the weighty spines. Quite a few are awake today. Awake, stifled, and frustrated. Who woke them up, I wonder? Who yanked them off their shelves, pulling them so unceremoniously from whatever dreams they were having, to page through their chapters and silence them again?

I pick up a heavy volume from a reading desk. Nearly a thousand pages, and whoever woke it up read less than three of them. I pass my hand over the cover, blow some of the dust from the pages, and set it back on the shelf. Another day, I tell it, although I’m not sure if I’m lying. Some of them have only been woken like this, for a page or two and nothing else, for a long time.

Some of them have been silent for so long that I’ve forgotten what they sound like.

I switch the reading lamps off as I go, stroking spine after spine. Go to sleep, I tell them. Forget the stories you tried to tell, the people who woke you up. Rest.

For some of them, it isn’t so easy. They’re angry, and angry books are hard to settle. I spend a long time among these shelves, soothing them, quieting the arguments. I can’t listen to them all at once, and I certainly can’t be the one to read every book, although I try to give the loneliest a chance. They know when I’m humoring them, of course, but most are grateful anyway.

But I can’t read all night. They have to sleep, and so do I. They listen to me at last, and their whispers fade into silence. I flick off the last light and listen to them breathing. Someone will come to read them eventually. Every book has a story that someone needs to hear. Every book has a heart it needs to heal, a mind it needs to open. Someone will come.

Until then, I’ll do my best to coax them back to sleep.

I Knew

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The house had a basketball hoop in the driveway.

I remember that most of all. That day, the day we had a house, is too fragmented to remember perfectly. But I remember a few things. The real estate agent’s dusty car. The cracked pavement. The weeds. The peeling paint on the front door. And the basketball hoop.

I’ll get you a ball, you promised us, and I knew you would. You’d promised us a house too, and we had that now, although grandpa said we’d never keep it. You’ll be back begging at our doorstep in a week, he told you before we left, and I didn’t tell him goodbye.

I don’t think you did either.

The real estate agent had you sign some papers before he left. I remember how your hands were shaking. I was too small to read what they said, but whatever it was, it made you cry when he left. We all cried together, on the floor in that empty house. I think it was a happy kind of crying.

You made me a nest that night. I had a whole room to myself in that big, empty house, and I felt like a princess in my palace. You tucked my blanket and my sheet together on the floor and told me stories about the mice who made nests just like mine. I’ll get you a bed soon, you told me, and I knew you would. You tucked me in tight, and I used my teddy as a pillow.

We had a picnics in the kitchen. I remember that too. You spread out a sheet on the floor, and we had breakfast and lunch and dinner there. We used to pretend that we were eating breakfast at the beach, and lunch in the mountains. Cade used to complain that there were ants in his food, so we’d think the picnic was real. You always laughed when he said it.

The first thing you bought us was a basketball. I remember when you brought it home. We didn’t have a table, or beds in our rooms, or pictures for the walls, or even a couch to sit on, but we had a basketball. I remember you sitting on the front steps after dinner, watching Cade teach me how to play. I couldn’t reach the hoop, even when he lowered it all the way down, and he’d lift me up so I could score. You clapped for us. I don’t remember who won, but we played until the fireflies came out and the moon was peeping in to watch through that old oak in the front yard.

Don’t worry, you told me when we inside that night. You’ll grow into it.

I knew I would.

We didn’t go back to grandpa’s that week. Or the next one. You said we never would, and I knew you were right. We had a house now, and a picnic blanket, and a basketball.

We didn’t need anything else.

When school started, you made Cade and I go. You’d walk us to the bus stop every morning, and when we left, you’d walk to work. You said you didn’t need a car, that walking made you happy. I knew it did.

You were never home when school was over, but we played basketball every night until you came. You were right. I did grow into that hoop, and so did Cade. He grew into it so much that he could raise it right to the top and still score, and I had to learn to jump high enough to block him. I still don’t remember who won those games, just that we played them.

We all used to do our homework together. Cade and I used to laugh about Mama having homework too, and you’d just laugh with us and keep right on working. I think you got better grades than we did. I know you stayed up later than we did. I remember you shooing us to bed, but the light never switched off before I went to sleep in my nest.

You graduated the same day Cade did. You bought us a table, and Cade came home wearing a uniform that made him look ten feet tall. You cried, but it was a happy kind of cry, and you sat on the steps to watch us play basketball before he left.

I played basketball by myself after that, and rode the school bus alone. You brought work home with you, and we sat at our table while I did my homework and you graded papers. I didn’t tell you I was proud of you, but I thought it every night. I was proud of you for your new job, and for the homework you did after I fell asleep, and for the house you didn’t lose. I was proud you didn’t have to go begging to grandpa anymore, and that you had a car, even if you still liked walking.

You never told me how scared you were, but I remember that too. You never told me you were brave, but I knew you were.

For The Writer Who Needs Fresh Perspective

Have you ever sat down to write, managed a sentence, or a page, or a blog post, and then thought, this sounds familiar? And then realized it is familiar, because it’s the same idea you had three weeks ago?

I have.

And I am absolutely certain that I cannot be the only one who does this.

Pretty certain.

You guys have done this at one time or another, haven’t you?

As writers, it’s far, far too easy to get stuck in a rut. We find a niche that works for us, a storyline we like, and suddenly—we’re stuck. It’s easy, it’s comfortable, and people seem to like it, so why branch out, right?

Right?

Actually, I am a great believer in having a signature style and embracing your niche. Sometimes, the jack-of-all-trades really is the master of none. There is something special about the depth and richness a writer who knows their craft lends to a story. People tend to write what they are passionate about, and passion, above everything else, is what drives a great story.

But sometimes, the passion is replaced by a template, and we sit down to write stories that we’ve written before and ideas that no longer excite us.

The trouble with being in a rut as a writer is that we’re not choosing to be there. We don’t just stop coming up with fresh, exciting story ideas simply because we don’t care anymore. If we did, it would be a good time to question if it was time to set the pen down and find a new path. We love our stories. We love the adventure, the thrill of creating something that sends chills down our spine and wakes us up. We’re after that elusive heart-stopping story that makes us want to cry and laugh and stay up until midnight because we’ve forgotten we’re working.

But sometimes, ideas like that are hard to come by, and so we continue to write what used to excite us, hoping that we’ll catch that feeling again on the next page.

Or the next one.

Or the next.

As a writer, I have found myself in a rut many times. My stories feel stale, and I find myself reading old chapters in hopes of remembering just what it was that excited me about them. When that happens, I know it’s time to make some changes and find a fresh approach.

Here are five ways that I do that:

1) Don’t try to pour from an empty pitcher.

Pumping out hundreds—or thousands—of words while you’re stuck in a rut and hating what you write is not going to help dig you out. Give yourself permission to pause, to slack off for a little while, and to rest. Very often, being stuck in a rut can be a sign of writer’s burnout, which needs, more than anything, a break and time to recover.

Nothing good comes of forcing creativity. If it is time to stop, then stop.

Pause.

Breathe.

Come up with a plan before wasting any more time staring at a blank page or a story you don’t like.

2) Change your habits.

Sometimes our writing gets stuck in a rut because we’ve been operating in a rut. Day to day, our routines are the same as they’ve been for months, or even years. Our stories may just be one indication of the way we feel in our own lives.

It may be time for a few changes.

Now, most of us are not going to change jobs, shave our heads, or move across the country in hopes of shaking things up in our lives. If that’s you, more power to you. If that’s not you, maybe try something less drastic.

Have coffee at a new coffee shop.

Find a book or TV show that you wouldn’t normally read or watch.

Take a walk instead of watching TV in the evening.

Take a MasterClass you’ve been eyeing for a while, or find a new hobby that you wouldn’t normally spend time on.

Take a day trip to the mountains, or the beach. Linger. Sit beside a waterfall, or gather seashells. Smell the pines.

Go to a zoo or an aquarium. Don’t rush. Watch the ducks or the snakes in the reptile house. Sit on the steps near the shark tank, or beside the penguins. Be still. Admire.

Moments like these are story fodder, and without them, our stories dry up and become dusty.

3) Try something new.

New is hard. New is terrifying.

New is also the best way to shake yourself out of a rut.

Write a poem or short story. Write a story from a completely different point of view than you usually do or a genre that you’ve never tried before. Romance, or SciFi, or contemporary.

If you don’t have ideas, search for writing prompts on Pinterest. Pick one that doesn’t jump out at you, and give it a shot. You don’t have to show anyone the attempt, but trying may make all the difference.

4) Don’t limit yourself.

You are a writer. You have the tools, you have the passion. Just because you’ve been writing one kind of story, or even been doing one kind of writing since the beginning doesn’t mean you can’t branch out.

Novelists can write articles.

Bloggers can write poetry or short stories.

Journalists can write novels.

You are not confined to one style of writing or one genre. Allow yourself to branch out, and to learn a new style.

5) Stop chasing.

Ideas are not limited. There is not a certain number that each writer is allotted. You cannot run out, and you are not washed up if you’ve run dry.

Instead, I firmly believe that ideas are like butterflies.

If you spend all your time chasing after them, they will appear and disappear before you can blink, and you will end up frustrated.

Instead, the best way to catch them is to go where they gather. Wander in parks, or zoos, or linger in coffee shops. Be patient. Wait for them. Focus on other things, instead of racking your brains.

Before you know it, you’ll have more ideas than you know what to do with, and if you’re willing to take the plunge and risk trying something outside of your comfort zone, you may just be surprised by what you can come up with.

Good luck, dearest writer! May your tea be hot and your dreams wild.